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	<title>mispeled &#187; mark barrett</title>
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		<title>What They Steal</title>
		<link>http://mispeled.net/2010/02/02/what-they-steal/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=what-they-steal</link>
		<comments>http://mispeled.net/2010/02/02/what-they-steal/#comments</comments>
		<pubDate>Wed, 03 Feb 2010 00:21:18 +0000</pubDate>
		<dc:creator>luke bergeron</dc:creator>
				<category><![CDATA[culture]]></category>
		<category><![CDATA[bill gates]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[digital books]]></category>
		<category><![CDATA[ditchwalk]]></category>
		<category><![CDATA[ebook prices]]></category>
		<category><![CDATA[ebooks]]></category>
		<category><![CDATA[marian]]></category>
		<category><![CDATA[mark barrett]]></category>
		<category><![CDATA[piracy]]></category>

		<guid isPermaLink="false">http://mispeled.net/?p=449</guid>
		<description><![CDATA[Wow, what an exciting day! Mark at Ditchwalk posted a great entry furthering the discussion we’ve been having about piracy and copyright. With his support, I feel like the discussion is going somewhere. In this post I want to directly respond to what he wrote, so please read his post first. Once you’ve done that, let’s talk:
Both of Mark’s scenarios that don’t involve the taking of something from someone else, but still involve physical piracy (free newspaper and concert), stem from the same given: content creators have a right to ...]]></description>
			<content:encoded><![CDATA[<p>Wow, what an exciting day! Mark at <a style="color: #800517;" href="http://www.ditchwalk.com/">Ditchwalk</a> posted a <a style="color: #800517;" href="http://www.ditchwalk.com/2010/02/02/what-you-steal/">great entry</a> furthering the discussion we’ve been having about <a style="color: #800517;" href="http://mispeled.net/2009/12/21/piracy/">piracy</a> and <a style="color: #800517;" href="http://mispeled.net/2009/12/28/copyright-bout-%E2%80%9909-the-digital-v-physical-distinction-%E2%80%93-round-one/">copyright</a>. With his support, I feel like the discussion is going somewhere. In this post I want to directly respond to what he wrote, so please <a style="color: #800517;" href="http://www.ditchwalk.com/2010/02/02/what-you-steal/">read his post firs</a>t. Once you’ve done that, let’s talk:</p>
<p>Both of Mark’s scenarios that don’t involve the taking of something from someone else, but still involve physical piracy (free newspaper and concert), stem from the same given: content creators have a right to decide how, why, when, and where their content is experienced, if for no other reason than they created that content.<br />
I’m not sure I agree with that given as it stands, and I’d like to use a silly example to illustrate why. There is an anti-corporation argument that has a place in the piracy debate and I think this is also the place to bring it into our discussion.  I want to use some examples to talk about where I think that argument comes from, but also what I think it means that the argument even exists in the first place. I hope that this will also help address Mark’s ideas about stealing.</p>
<p>We’re going to need two people for this discussion, so let’s pick polar opposites to try to tease out the implications of the thing.</p>
<p>First, we need someone who’s rich and can pretty much buy and sell whatever they want. Let’s use <a style="color: #800517;" href="http://twitter.com/BillGates">Bill Gates</a>, since I seem to have been thinking about him lately. I don’t know why – it might have something to do with him recently joining twitter and also donating billions of dollars to charity (although those two events might be unrelated).</p>
<p>Second, we need someone who’s not rich. Anti-rich, even. For this, let’s use <a style="color: #800517;" href="http://digitalbookworld.com/2010/a-gen-y-reaction-to-macmillans-piracy-plan/">Marian</a>, referenced in the same blog post I’m responding to. Since we were put up as mutual mouthpieces there, that seems fitting. Marian, unlike Bill Gates, cannot buy and sell whatever she wants. She’s limited by her limited income. </p>
<p>So here’s the scenario:</p>
<p>Say that I’ve just finished writing the next great American novel. It’s the best thing since sliced bread, full of the bees-knees, wisdom, humor, and great ideas. Not only is it gonna be a best seller, a strong member of the Oprah book club, and adored by the mainstream and counter-culture alike, it’s also full of life-changing ideas that everyone on the face of the planet, young and old, should read. Say that’s what the book is, just for example.</p>
<p>Now say that, before it’s released, word gets around that all the hype about the book is true, that it really is better than Shakespeare, the Bible, and Twilight (for the mass market appeal) rolled into one and my publishing company and I decide to set the price of the novel at 10 billion dollars a copy, because we think, for some reason, that we can get Bill Gates to pay that price.</p>
<p>Lo, the novel is realized. My publishing company and I sell three copies to the three richest people in the world. We retire in luxury and never work again. Bill Gates gets to read the book, being one of the three who bought it, but poor Marian never does, because she cannot afford the price of entry.</p>
<p>This is an extraordinarily silly example, but a necessary one, because it demonstrates some talking points:</p>
<p>People should only have a right to distribute content if their profits from said content are reasonable. What right, beyond the creation itself do I have to price my novel at such an exorbitant price? I created the content, but if the book is so good that it might improve lives, what right do I have to price it so only a few lives can be improved?</p>
<p>That’s the point about sticking it to corporations and where it originates. Just because I create something, do I have the right to completely control access to that thing? Maybe, but only to a point. After that point, the social contract says that the work should be freely available, or at the very least, as widely available as possible.<br />
That’s what this is really about. Did Bill Gates really have the right to make 40 billion dollars because he started a software company that provided the right thing at the right time? Does he have the right to become the wealthiest person on the planet because he won big on a social roulette game?</p>
<p>I don’t think so. That’s too much. Letting someone profit that much from the creation of a single thing is absurd, whether it’s a company or a novel. Now, novels aren’t as absurdly profitable as the amount of money Bill Gates has, but you get the slippery-slope gist of the thing.</p>
<p>Now, Marian’s point was this: if the content isn’t priced affordably, she knows how to get it for free.</p>
<p>I think she’s right. It’s easy to get it for free. And digitalization of work brings that into a whole new perspective. Because although piracy might be described as the theft of a sale, the hard fact is that after the content is created, an additional digital copy costs the company nothing. NOTHING.</p>
<p>So how in the hell can they justify pricing a book at ten dollars? It’s an unreasonable profit margin for their investment.</p>
<p>If a publishing company spends 150,000 dollars to pay the author, the editor, the layout person, and the web guy who throws it up on the digital store – they only have to sell 15,000 copies at 10 bucks a pop to recoup that investment. Now, for a novel that they are willing to spend 150 grand on, they are easily going to sell 15,000 copies. It’s more likely that they are going to sell 100,000 copies or more, since they are banking on it being a best seller (otherwise, they would have paid 15,000 or less for the advance, layout, and editing fees). 100,000 copies at 10 bucks a pop gets them 1 million gross and 850,000 net. That’s an absurd margin.</p>
<p>This is simplistic, but basically how it works nonetheless. Now, if they price the book at one dollar, not only are they going to sell way more than 100,000 books, they also put it in reach of a bunch more people. They probably aren’t going to make the same margins, since they’d have to sell a million books at one dollar to make the same as selling 100,000 books at 10 bucks, but it’s possible.</p>
<p>And if they do sell a million books, it’s time to lower the price. Thus spake the social contract and the social contract mote it so.</p>
<p>(Beyond that, there is also the issue of the payment of the writer versus the payment of the publisher, but that’s another whole big thing that probably needs its own post.)</p>
<p>So, my belief is this: content creators have a right to distribute their content as they wish, as long as they price that content so the most people can have access to it (which means as cheap as possible) and still maintain a comfortable lifestyle that lets them continue to create that content. If you want to charge me ten bucks for a copy of a digital book, you don’t get to have a private jet. I’m sorry. No. That’s not feasible or socially responsible. Instead, people in my generation will steal your book. So it goes.</p>
<p>In the above scenario, I would be an asshole for writing something that could help people and then pricing it so only a select few could afford it. That’s capitalism, you say. Fine, I say, well capitalism is an asshole, too. </p>
<p>Information, content, entertainment, whatever you want to call it, should be priced so that the highest number of people can access it and the people who made it can live and continue to create it. When that happens, then content creators have a right to control their content. Until that level of social responsibility is inherent in the system – content creators shouldn’t have a right to do what they want with their content.</p>
<p>That’s the “right” of creation – bringing good to people, and as many people, as possible. If you don’t do that, you have no right to create. </p>
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